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International Network for the Study of Spirituality

Spirituality and the Arts Special Interest Group (SASIG)

Chairs: Rev. Prof. June Boyce-Tillman MBE, Dr Lila Moore PhD, Annalisa Burello MSc  (bios below)


In recent years there has been a growing interest in the intersection of the arts and spirituality.

This special interest group will meet to discuss this intersection in a variety of forms and mediums such as visual art, music, film, dance, digital, interactive, poetry, time-based and performative art forms.

This will include the personal, social and cultural, encompassing both the religious and the spiritual-but-not-religious context.

Upcoming events

    • 03/12/2025
    • 6:00 PM - 7:30 PM
    • Zoom
    • 90
    Register

    PLEASE CHECK YOUR SPAM FOLDER FOR CONFIRMATION EMAIL CARRYING THE ZOOM LINK!

    Abstract

    Exhibition Overview and Discussion by Dr Lila Moore, with Guest Artist Anna Utopia Giordano

    Dr Lila Moore introduces The Infinite Self Pavilion, an exhibition she has curated and designed under the umbrella of The Wrong Biennale. The twenty-eight exhibiting artists span young innovators of the next aesthetics, established pioneers who foresaw present and future paradigms before the tools existed, and those in between who craft with technology, psyche, body, and hybrid forms of dry digital and moist-organic media.

    The Infinite Self Pavilion invites seekers to explore the evolving nature of the Self and its relationship with AI. Drawing on the ancient call to “Know Thyself,” it evokes timeless yet timely quests of identity, gender, spirituality, ritual magick, and transpersonal, ever-expanding forms of art and collective selfhood. The artists venture into techno-spiritual, technoetic, uncanny, neuropsychic and imaginal realms where AI acts as an aesthetic catalyst for transformation. The pavilion opens portals to fluid selves and more-than-human consciousness.

    Following an overview of The Infinite Self exhibition, Dr Moore is joined by Anna Utopia Giordano, an Italian creative director, poet, artist, and performer who exhibits in the pavilion’s AI Philosophy and AI in Space Art thematic sections. Together, they will discuss art in space and the role and presence of AI in this cosmic technological setting. The conversation is grounded in Giordano’s collaborative artwork Zero, installed and performed via SpaceX on the International Space Station in 2023.

    They will explore questions such as: What is Nothing? What is Zero? What does the experience of the void of space offer to the experience of art, artmaking and spirituality in an AI-driven techno-spiritual age? The discussion will also reference two other notable collections represented in the Pavilion: Infinity by Plamen Yordanov, exhibited in MoMA Touching the Void and curated by The Moon Museum, and an AI-assisted edition of Manifestos of Strange Becoming by Seeker_of_True-files/Lila Moore, exhibited and archived by ACM SIGGRAPH.

    The Wrong Biennale is a pioneering, decentralized art event that unites artists, curators, institutions, and audiences worldwide through a vast “exhibition of exhibitions.” Hosted both online and offline, it is celebrated for promoting inclusivity, experimentation, and cultural growth across the digital arts.

    The 7th edition (1 Nov 2025 – 31 Mar 2026) focuses on the artistic potential of artificial intelligence, presenting a global constellation of pavilions and embassies that explore the creative intersections of AI, art, and contemporary culture. Recognized internationally, The Wrong has received awards such as SOIS Cultura and an honorary mention from the European Commission’s S+T+ARTS Prize, affirming its status as one of the most significant platforms for digital art today.

    The link to the exhibition will go live on 1 November 2025

    https://thewrong.org/InfiniteSelf

     About the speakers

     Anna Utopia Giordano is an Italian creative director, poet, artist, and performer. She graduated with honors in Philosophy from the Università Statale di Milano, with a thesis on Network Science.  She currently curates Poiesis, a column on artificial intelligence for the Italian street art magazine Wails Papers, where she publishes AI-assisted artworks in each issue. Her AI-generated digital illustration ZER0, conceived for the homonymous musical composition by Leonardo Barilaro, was launched towards the International Space Station on March 15, 2023 with Maleth III, biomedical research. The illustration and the musical composition were presented during a live stream from the ISS on April 11. 

    Utopia conceived the series ἐκγραφῆς (2022), blending her poetry with artificial intelligence and digital post-production. The first cycle of this collection was showcased during the seventh edition of Fuori Visioni Contemporary Art Festival (Piacenza). ​In March 2021, she released her first spoken word poetry album titled Fogli d'ombra, followed by the music video Entelechia (o sul senso del dovere) at the end of July 2021. Entelechia earned a place in the official selections of numerous national and international festivals.

    ​Prior to this, Utopia conceived a series of digital art collections, including My Social Generation, Venus, PopBottles and #BornToBeVirtual. These art series have garnered global recognition, having been featured in prominent newspapers, school textbooks, and across hundreds of websites and blogs. Additionally, these collections have been exhibited in both solo and group shows worldwide.

    ​Utopia's poetic style finds expression in the Rhapsodies, a collection of hermetic and cryptic poems distinguished by their use of technical, scientific, and philosophical language. The Rhapsodies have earned their place in anthologies, magazines, e-zines, and cultural blogs. 

    Dr Lila Moore is the founder of The Cybernetic Futures Institute (CFI, 2014), a platform dedicated to exploring technoetic arts with a unique emphasis on the spiritual and occult dimensions of art, film, screen dance, and networked, digitally interactive forms of performance and narrative. She is a technoetic artist-filmmaker, screen-dance pioneer, networked performance practitioner, and visionary theorist.

    Dr Moore holds an MA and MPhil from Central Saint Martins and a practice-based PhD in Dance on Screen from Middlesex University (2001). Her postdoctoral research at the Planetary Collegium, chaired by Roy Ascott, generated original concepts including Networked Rites, Noetic Fields Weaving, and The Quest for Morphic Fields of Compassion, all exploring artworks as participatory fields of consciousness.

    Her writings have appeared in leading journals such as Technoetic Arts, Cybernetics & Human Knowing, EVA London/BCS, Religions, Journal of Religion and Film, Journal of Religion and Popular Culture and the Bloomsbury Encyclopedia of New Media Art. She has presented at major international conferences including Consciousness Reframed, EVA London, INSS, and ESSWE, and her artworks and films have featured in exhibitions such as SIGGRAPH, Ars Electronica, and Conjuring Creativity: Art and the Esoteric.

    Dr Moore is the curator and designer of the Infinite Self Pavilion for The Wrong Biennale (2025–2026), which explores AI as an aesthetic catalyst.

    The video recording of the event will be available on our YouTube channel Spirituality and the Arts Special Interest Group 

    Join our  Facebook Group called Spirituality and the Arts using this link. 

    For more details, see https://spiritualitystudiesnetwork.org/Spirituality-and-the-Arts-SIG

    The SIG Chairs: the Rev. Prof. June Boyce-Tillman, Dr Lila Moore, Annalisa Burello. 


Past events

28/10/2025 SASIG: Open Members Discussion - Is Spirituality Expensive?
30/09/2025 SASIG: Natalie Zangari Explores Emerging Forms of Spirituality Within the Contemporary Digital Landscape, Through the Lens of Techno-Spirituality.
11/04/2025 SASIG: Paula Staunton Presents Belly Dance: Embodying the Sacred, Bridging Worlds
26/02/2025 SASIG: Open Discussion
15/01/2025 SASIG: Dr Petra Jerling explains how transcendental spiritual experiences with music and imagery led to post-traumatic growth: An autoethnographic perspective
04/12/2024 SASIG: Dr Amira Ehrlich presents Reconstructing Sound Agency Within a Soundscape of War
29/10/2024 SASIG: Open Discussion
20/09/2024 SASIG: Prof. Fay Brauer presents Composing “Symmorphies”: Annie Besant’s Theosophies, František Kupka’s Chromatic Music, and Their Astral Visions.
20/06/2024 SASIG: Prof. June Boyce-Tillman presents Hildegard of Bingen
20/05/2024 SASIG: Can therapeutic songwriting be a form of subtle activism? Singer-song writer Siân Brown
16/04/2024 SASIG: Dr Lila Moore presents Gaia Mysterious Rhythms, Screen-Dance as a Novel Art Form and Rite of Passage
20/03/2024 SASIG: Open discussion
01/03/2024 SASIG: A special talk with Prof. Rina Arya - Locating Religion in Contemporary Art
22/11/2023 SASIG: Provocation 7 - Reconciling Humanistic vs Pan-psychic Spirituality, a conversation between Annalisa Burello and Degard
25/10/2023 SASIG: Provocation 6 - The Arts as Spirituality
12/09/2023 SASIG: Annalisa Burello MSc presents Marina Abramović, the Artist-Shaman
11/07/2023 SASIG: Dr Karel James Bouse presents Expressive Arts as Therapy
13/06/2023 SASIG: Provocation 5 - The Arts as Spirituality
23/05/2023 SASIG: Provocation 4 - The Arts as Spirituality
14/03/2023 SASIG: Water as a Spiritual Signifier - Water Artist Alison Churchill
20/02/2023 SASIG: A special talk with Prof. Louis Lagana' - Was Malta a Place for the Veneration of a Mother Goddess?
17/01/2023 SASIG: Provocation 3 - Open discussion
01/12/2022 SASIG: Sound as a Spiritual Signifier - Contemplative Listening
14/09/2022 SASIG: Light as a Spiritual Signifier - Light Painting Photography
13/07/2022 SASIG: A Special Talk with Dr Thomas Daffern
11/05/2022 SASIG: Provocations 2 - Artist DeGard, Dr Paul Dieppe, Nick Shore and Maya Apolonia Rodé
16/03/2022 SASIG: Provocation 1 - Inaugural meeting

SIG DESCRIPTION

The group aims to explore a variety of relationships between the arts and spirituality. These are some possibilities:

  • The arts as a spiritual practice 
  • Spirituality as creative practice
  • Altered States of Consciousness (ASC) caused by an encounter with the arts
  • The arts and the transformation of consciousness
  • The arts, Spirituality and Social Change

Our approach aims to be interdisciplinary, so we will explore the juncture of the arts and spirituality through the lenses of consciousness studies, spirituality studies, religious studies, theology, psychology, neuroscience, anthropology, sociology, health/wellbeing, philosophy, art, aesthetics and literary theories, musicology; and through the lens of different agents: artists, curators, therapists, academics and independent scholars, general public, popular initiatives, etc.           

Aims of the SASIG:

  • Explore and encourage the development of conceptual criteria to detect and discuss the spiritual qualities in the arts
  • Encourage more scholarly research on the relationship between the arts and spirituality
  • Explore and encourage the discourse of the spiritual in both public and private spheres of the arts
  • Explore and encourage the establishment of conceptual means and language that would be useful to artists who are interested in incorporating aspects of spirituality in their artworks and their practices

To become involved in the SASIG, please register for our next event.

All SIG meetings will be free for INSS members. Non-members are welcome to attend the inaugural event for free and subsequent ones for a small fee. If you enjoy it, please consider joining INSS. Besides other benefits, this will allow you to view the INSS-members-only SASIG page containing profiles of other attendees (if shared), and give you free access to all INSS SIG events.

Our email address is mailto:sasig@spiritualitystudiesnetwork.org

We now have a Youtube channel where you can watch the recordings of our Zoom meetings.

We also created a Facebook group: please join it! 

SIG Chairs

Annalisa Burello completed a Master's Degree in Financial and Monetary Economics at Bocconi University in 1993 which led to a fifteen years career in finance and banking. After leaving banking in 2008, she resurrected her childhood passion for the arts and retrained as a visual artist, attaining a BA (Hon) Photography at the University of Westminster in 2019. Currently, she is completing a Master's degree in Anthropology - Religion in the Contemporary World at the London School of Economics.

Annalisa is researching the intersection between art, creativity and spirituality and, following her introduction to McGilchrist's Hemispheric Hypothesis, in empirically exploring how spiritual and creative practices affect the Right Hemisphere and mental health in general. These investigations have brought her to inquire and later adopt meditation and yoga as a body-mind practice to access, release and sustain creative energies via supporting a greater integration of the right and left hemispheric modes of functioning. Her goal is to articulate a framework of spirituality to include artistic practices.

Annalisa lives in London and has two children.

The Rev Professor June Boyce-Tillman MBE FRSA FHEA is an international performer, composer, workshop leader and keynote speaker.  She is an Emerita Professor of Applied Music at Winchester University and an Extra-ordinary Professor at North West University, South Africa.  She lectures internationally and is concerned with wellbeing, spirituality and radical musical inclusion culturally and personally. She is editing the series on Music and Spirituality for the publisher Peter Lang which includes her book, Experiencing Music-Restoring the Spiritual; Music as Wellbeing, the edited collection Queering Freedom: Music, Identity and Spirituality: Perspectives from Ten Countries and her autobiography Freedom Song: Faith, Abuse, Music and Spirituality: A Lived Experience.. She founded MSW – Music, Spirituality and Wellbeing – an international network sharing expertise and experience in this area. www.mswinternational.org

She is a hymn writer with a collection published by Stainer and Bell of inclusive language and ecological hymns – A Rainbow to Heaven.   These are used internationally. She is an Anglican priest serving All Saints Church, Tooting.

https://www.impulse-music.co.uk/juneboyce-tillman/



Dr Lila Moore, PhD is a lecturer, theorist, film-maker and mixed reality artist with expertise in the fields of screen-dance and Technoetic Arts. She holds a practice-based PhD from Middlesex University (2001) in the interdisciplinary context of Screen Dance, experimental film, modern art, performance, myth, ritual and expressive therapies. She also holds an MA in Independent Film and Video and MPhil on the evolution of performative and screen-based art forms from Central Saint Martins College of Art & Design, London, and a B.Ed. degree in Fine Art & Art History.

Lila lectures and writes on the arts, film, and new media in the context of modern and contemporary spirituality, mysticism, gender, cultural theories, and technoetics. She is a lecturer and thesis supervisor for the Alef Trust MSc Programme in Consciousness, Spirituality and Transpersonal Psychology, and leading the course: Psyche, Cosmos and the Imaginal. Additionally, she has been a lecturer at the Department for the Study of Mysticism and Spirituality at Zefat Academic College in the ancient Kabbalistic town of Safed (2013-2022), teaching BA courses on spiritual cinema and the intersection of spirituality, mysticism and the arts. Her postdoc at the Planetary Collegium of Plymouth University (2015) entitled The Cybernetic Futures Institute is a networked platform, exploring technoetic arts with an emphasis on the spiritual-mystical and occult in art, film, screen-dance, and networked-digital-interactive forms of performance and narrative.

Lila regularly presents research papers in academic conferences, and her articles were published in academic journals. She is a member of the editorial board of Consciousness, Spirituality & Transpersonal Psychology journal and the S/He International Journal of Goddess Studies. Lila participates in juried exhibitions and festivals and her digital artworks, films and theoretical writings are archived by Bloomsbury Digital, ACM SIGGRAPH and ADA - Archive of Digital Art.

https://www.aleftrust.org/about/team/lila-moore/

   About the network

The INSS is a unique international network for people interested in bringing the study of spirituality to life through research, scholarship, education and practice.

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